Somewhere out in Chisago County, where the meth is strong and the Wiccans sell dream-catchers, three country boys calling themselves The Gleam have produced the most raucous countrified punk to come out of the Midwest in years.

On the heels of their critically acclaimed "Chisago County E.P.," comes "Lookout for Evils," an album full of rapid fire, booze-soaked melodies that would make for an excellent soundtrack to your next bar fight.

Superb analog production, courtesy of the folks at Sparta Sound and Rich Mattson (of Ol' Yeller fame), gives this album a rawness and honesty completely distinct in a world of slick Pro Tools cover up. Voices crackle and guitars blister and I wouldn't want it any other way.

Highlights include the honky-tonk "High and Mighty" and the relentless Ramones meets Uncle Tupelo assault of "Lock Up Yr Children." The accordion-fueled sing along "Ever We Climb (No.2)" keeps things from getting too stale. "Got What'cha Wanted" is the bitter drunken rant every guy has gone on after his girlfriend has left him, only line-danceable.

On the downside, singer Zachary Johns (when not screaming) sometimes falls into an odd Elmer Fudd-esque warble, most distinctly heard on "First Love Song." I'm not sure how well this disc will stand up to repeated listens. In fact, after a few spins, the novelty wears off and a bit more substance is desired.

Overall, this album is a pleasant surprise. Unspoiled by hipster aspirations and disinterested in current trends, the Gleam have made a sincere record that stands heads and shoulders above most of the "fashion rock" coming from us city-folk these days. MS

www.thegleamusa.com